Stephanie Lake's The Chronicles dazzles blending dance and design into a stunning spectacle of life cycles and transformation, writes Belle Beasley

Geraldine Higginson reviews 'four unique, diverse and experimental short works'.

This version of the celebrated story took a little while to find its stride, writes Denise Richardson.

This was a delightfully varied evening of six short works that gave NZSD students a chance to shine, writes Geraldine Higginson.

This program deserves a wider audience, writes Susan Bendall.

Staging 'The Nutcracker' is not a simple matter. Belle Beasley reviews this latest production.

Susan Bendall relished this year's iteration of Bodytorque, the Australian Ballet's season of new choreography.

The students of the Australian Ballet School have had a busy end-of-year, with 60th anniversary gala performances in Sydney and Melbourne as well as this final Showcase in Melbourne.

This performance had reviewer Lesley Graham asking questions of her own expectations.

'Coco Chanel: the Life of a Fashion Icon' is the new main stage work of Queensland Ballet’s 2024 season, programmed by former Artistic Director Li Cunxin before he retired, writes Denise Richardson/

Both works utilise the full company roster of 17 dancers (including one trainee) but are quite different in their choreographic approach and overall effect, writes Geraldine Higginson.

Denise Richardson looks at a selection of dance in this year's Brisbane Festival.

Oscar is ambitious and theatrical but is overshadowed by the genius of the real Oscar, writes Susan Bendall.

The recent production from Momentum Dance, auspiced by CO3 dance company, is immediately appealing in rejecting these agist tendencies, writes Jonathan W Marshall.

Splendid to watch, but there must be consideration for how the values projected will resonate with a modern audience, writes Alana Kildea.

This work certainly activated the cerebellum, in ways that felt novel and surprising even for a contemporary dance performance.