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A landmark partnership between The Australian Ballet and Bangarra Dance Theatre comes to life in Flora, a major new full-length work commissioned by The Australian Ballet and created by Frances Rings, Bangarra’s Artistic Director and co-CEO. Read more
As on of the world’s most influential ballet competitions prepares to begin, Australia and New Zealand once again sit firmly within its story.
A blueprint shaped by Country and community
Royal Ballet Principal Steven McRae has been named Australian of the Year in the UK, honoured for excellence and cultural impact.
Glittering, subversive and extravagant, Eun-Me Ahn’s Post Orientalist Express flips stereotypes into spectacle.
Queensland Ballet’s Nutcracker enchants Brisbane with whimsy, polish and standout performances, even amid funding concerns. A luminous seasonal tradition captured by reviewer Denise Richardson.
Dawn Jackson’s Pointe: Dancing On a Knife’s Edge traces Floeur Alder’s remarkable journey from violence to artistic rebirth with empathy, precision, and striking visual beauty.
Alice Topp on Creating Macbeth for the Royal New Zealand Ballet.
Australian Ballet School student Scarlett Weaver on boarding life, growth and finding balance at Marilyn Rowe House in Melbourne and beyond the studio.
A portrait of resilience, elegance and legacy.
Critical perspectives on the performances, artists and ideas that shaped the year in dance
Providing dancers, families and the community a sense of belonging and a shared purpose, Generate Dance works with students to build skills, confidence and creativity, writes Michelle Dursun
For Amy Tinning, distance is no barrier to dance, writes Michelle Dursun
