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“The dancing is exact and tender at once.” Luke Murphy’s Scorched Earth combines contemporary dance and psychological crime thriller in a compelling exploration of land and dispossession. Read more
Ensemble dancers Felix Sampson and Michael Smith will succeed Kyle Page and Amber Haines at Dancenorth in March 2027, following the premiere of Galaxia.
Ballet pianists are invited to join a global census and share their work through the “I am a Ballet Pianist!” campaign as World Ballet Pianists Day returns on 9 October.
Xander Parish’s new Florence company invokes the Ballets Russes’ modernist legacy, opening with a Belle Époque Swan Lake and an international cast in March 2027.
LINK Dance Company’s EPIC brings surreal encounters and psychedelic landscapes to WAAPA’s new Dance Theatre. Nina Levy reviews the company’s first season in its new home.
The Farm confronts grief and mortality in No One Gets Out of Here Alive, a “visceral, virtuosic dance theatre work”, writes Caitlin Halmarick.
Humour and “astonishing movement quality” fill Tupua Tigafua’s Shel We, a celebration of Pasifika storytelling at Brisbane Festival, writes Caitlin Halmarick.
Full-time training: The McDonald College and The Royal Ballet School. Currently dancing with: English National Ballet
“I love my job and I love my life!” Davi Ramos speaks to Daniel Gaudiello about his journey from Brazil to principal artist with The Australian Ballet, and finding his feet in Australia.
Full-time training: ED5 International. Currently dancing at the Moulin Rouge in Paris.
Josef Brown considers what human artists give of themselves to make their work, and why AI can reproduce its appearance without bearing its cost.
Athletistry founder Shane Wuerthner on navigating auditions
A practical, clear-eyed guide to building a dance career after full-time training, from redefining success to staying connected, creative and employable.
