Chunky Move’s commissioning program returns with new works by Harrison Ritchie-Jones and Samakshi Sidhu, reviving a platform that supported some of Australian dance’s leading choreographers. Read more
An Australian premiere, the music of INXS and a new ballet for young audiences feature in Queensland Ballet’s 2027 season, with productions travelling across the state.
“The dancing is exact and tender at once.” Luke Murphy’s Scorched Earth combines contemporary dance and psychological crime thriller in a compelling exploration of land and dispossession.
Ensemble dancers Felix Sampson and Michael Smith will succeed Kyle Page and Amber Haines at Dancenorth in March 2027, following the premiere of Galaxia.
LINK Dance Company’s EPIC brings surreal encounters and psychedelic landscapes to WAAPA’s new Dance Theatre. Nina Levy reviews the company’s first season in its new home.
The Farm confronts grief and mortality in No One Gets Out of Here Alive, a “visceral, virtuosic dance theatre work”, writes Caitlin Halmarick.
Humour and “astonishing movement quality” fill Tupua Tigafua’s Shel We, a celebration of Pasifika storytelling at Brisbane Festival, writes Caitlin Halmarick.
Full-time training: The McDonald College and The Royal Ballet School. Currently dancing with: English National Ballet
“I love my job and I love my life!” Davi Ramos speaks to Daniel Gaudiello about his journey from Brazil to principal artist with The Australian Ballet, and finding his feet in Australia.
Full-time training: ED5 International. Currently dancing at the Moulin Rouge in Paris.
Josef Brown considers what human artists give of themselves to make their work, and why AI can reproduce its appearance without bearing its cost.
Athletistry founder Shane Wuerthner on navigating auditions
A practical, clear-eyed guide to building a dance career after full-time training, from redefining success to staying connected, creative and employable.
