NewsRead all

Navrin Turnbull on his surprise promotion to Principal at La Scala and navigating the "technical mountains" of Milan.

Sydney Dance Company unveils its 2026 ensemble, welcoming five powerhouse dancers as the company celebrates 40 years at its iconic Wharf home

Daily recaps on the 54th edition of Prix de Lausanne

ReviewsRead all

Glittering, subversive and extravagant, Eun-Me Ahn’s Post Orientalist Express flips stereotypes into spectacle.

Queensland Ballet’s Nutcracker enchants Brisbane with whimsy, polish and standout performances, even amid funding concerns. A luminous seasonal tradition captured by reviewer Denise Richardson.

Dawn Jackson’s Pointe: Dancing On a Knife’s Edge traces Floeur Alder’s remarkable journey from violence to artistic rebirth with empathy, precision, and striking visual beauty.

ArtistsRead all

Alice Topp on Creating Macbeth for the Royal New Zealand Ballet.

Australian Ballet School student Scarlett Weaver on boarding life, growth and finding balance at Marilyn Rowe House in Melbourne and beyond the studio.

A portrait of resilience, elegance and legacy.

ExpertiseRead all

Critical perspectives on the performances, artists and ideas that shaped the year in dance

Providing dancers, families and the community a sense of belonging and a shared purpose, Generate Dance works with students to build skills, confidence and creativity, writes Michelle Dursun

For Amy Tinning, distance is no barrier to dance, writes Michelle Dursun