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The Broadway musical arrives in Sydney, bringing spectacle, nostalgia and a sweeping score to the harbour city. Read more
An original cast revisits Pina Bausch’s landmark work, nearly five decades on.
After more than a decade with The Australian Ballet, one of its leading artists steps onto the international stage.
After 12 years at the helm, Raewyn Hill will step down as Co3’s inaugural Artistic Director in 2026, closing a formative chapter for the company she has shaped from its inception
A sweeping score, strong central performances and a stage adaptation that leans into romance over realism shape Anastasia’s Sydney run, writes Heather Campbell.
Collaborations of this nature are essential to the evolution of Australian dance, and that these themes are addressed by our national ballet company—with its bigger budgets, resources, and reach—matters, writes Emma Sandall
With two companies sharing the stage, this program moves from tightly held ensemble work to a finale that opens outward, buoyant, expansive and hard to resist.
RAD’s CEO reflects on her Australasian tour, global strategy, and why excellence and inclusion must go hand in hand.
Alice Topp on Creating Macbeth for the Royal New Zealand Ballet.
Australian Ballet School student Scarlett Weaver on boarding life, growth and finding balance at Marilyn Rowe House in Melbourne and beyond the studio.
Recent comments by Timothée Chalamet about opera and ballet sparked debate across the arts. Dance leaders reflect on the endurance, relevance and shared humanity that continue to sustain these artforms.
As Rambert marks its centenary, Maggie Lorraine revisits the company’s 1947–49 tour of Australia and asks whether Marie Rambert’s influence on our national ballet identity has been fully recognised.
Josef Brown on discovering dance through film and television
