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The Sydney Opera House will present homecoming seasons for two acclaimed First Nations choreographers, with Amrita Hepi’s Rinse and Lewis Major’s Triptych arriving in September. Read more
STRUT Dance’s annual Restore program returns to PICA with two contemporary dance works exploring memory, transformation, connection and repair.
Dance, circus, performance and community movement feature prominently in Brisbane Festival’s 2026 program, the first under new Artistic Director Ebony Bott.
Townsville-born dancer Zai Calliste has been recognised at English National Ballet’s Emerging Dancer 2026 awards.
Sydney Dance Company’s double bill at the Australian Dance Biennale placed two dystopian worlds side by side, with Antony Hamilton’s absurd, enigmatic Forever and Ever proving the more compelling of the two.
Bangarra’s 2026 triple bill is carefully made and warmly received, with moments of striking visual power, though not every work reaches the company’s strongest emotional force.
Rather than focusing on a narrative or theme, Glow is a choreographic essay that explores how technology extends the limits of the body.
West Australian choreographer Scott Elstermann will take part in the prestigious ATLAS program at ImPulsTanz in Vienna, following recent success at home and abroad.
Meet the Australian dancers taking the reins at Crazy Horse Paris.
Anna Pavlova’s 1926 tour was not the beginning of ballet in Australia, but it changed how the country imagined the art form, and who might belong to it, writes Emma Sandall
Athletistry founder Shane Wuerthner on navigating auditions
A practical, clear-eyed guide to building a dance career after full-time training, from redefining success to staying connected, creative and employable.
Recent comments by Timothée Chalamet about opera and ballet sparked debate across the arts. Dance leaders reflect on the endurance, relevance and shared humanity that continue to sustain these artforms.
