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Returning to Lausanne as a 2026 jury member, 2003 winner Steven McRae reflects on how the Prix has evolved and why artistry begins long before perfection. Read more
Christian Tàtchev reflects on judging the 2026 Prix de Lausanne, male training trends, and why foundation, patience and culture matter more than a single variation.
Co3 Contemporary Dance Australia appoints Derry Simpson and Andrew Stephens as Non-Executive Directors.
Bangarra Dance Theatre becomes the first Australians honoured with the Golden Lion for Lifetime Achievement in Dance.
2026 marks the fourth iteration of STRUT Dance’s Perth Moves program, and what a gift it is, with three free public performances in the city’s heart during Perth Festival.
From neoclassical whimsy to glowing contemporary abstraction, Nina Levy reviews West Australian Ballet’s Incandescence.
From breathtaking classical work to compelling contemporary solos, Emma Sandall reviews the Prix de Lausanne 2026 Finals.
RAD’s CEO reflects on her Australasian tour, global strategy, and why excellence and inclusion must go hand in hand.
Alice Topp on Creating Macbeth for the Royal New Zealand Ballet.
Australian Ballet School student Scarlett Weaver on boarding life, growth and finding balance at Marilyn Rowe House in Melbourne and beyond the studio.
As Rambert marks its centenary, Maggie Lorraine revisits the company’s 1947–49 tour of Australia and asks whether Marie Rambert’s influence on our national ballet identity has been fully recognised.
Josef Brown on discovering dance through film and television
Emma Sandall reflects on the evolving Prix de Lausanne, and how its core values continue to shape generations of young dancers worldwide.
