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The longtime conductor steps into the role after nearly three decades with the company. Read more
A record field of students, from Grade 2 through to Solo Seal, gathered in Adelaide for one of Australia’s longest-running RAD student events.
A two-month program of performances, workshops, archival displays and community events will honour four decades of creativity at the company’s Walsh Bay home.
The Japanese dancer arrives from Tulsa Ballet and will make his Queensland Ballet debut in Elegantly Wasted at HOTA in September.
Denise Richardson finds mixed rewards in Australasian Dance Collective’s latest Three, a triple bill created to encourage choreographic risk-taking.
Sydney Dance Company’s Engine brings three distinct choreographic worlds to the Drama Theatre, with Melanie Lane’s Love Lock the clear highlight in an evening powered by precision, intensity and exceptional dancing.
Young Dance Scholar Olivia Hayes Marshall responds to Sydney Dance Company’s Engine, finding a triple bill rich in texture, intensity and technical command.
Graduate of the full-time programs at Ablaze Dance Academy and Bergen Lavelle Classical Coaching. Currently studying at the New Zealand School of Dance.
Jorja Freeman and Gustavo Viglio return to Burn The Floor for Luminous, a new chapter in the show that shaped their careers, their artistry and, in more ways than one, their lives.
West Australian choreographer Scott Elstermann will take part in the prestigious ATLAS program at ImPulsTanz in Vienna, following recent success at home and abroad.
Athletistry founder Shane Wuerthner on navigating auditions
A practical, clear-eyed guide to building a dance career after full-time training, from redefining success to staying connected, creative and employable.
Recent comments by Timothée Chalamet about opera and ballet sparked debate across the arts. Dance leaders reflect on the endurance, relevance and shared humanity that continue to sustain these artforms.
