Dance Australia was saddened to learn of the passing of Janet Pharaoh, the esteemed artistic director of the Moulin Rouge in Paris, who died on March 4, 2025, at the age of 65. Her dedication and discerning eye shaped the iconic cabaret for decades, leaving an indelible mark on the world of dance and entertainment.
Born in Rothwell, near Leeds, in 1959, Pharaoh's passion for dance was evident from a young age. Despite not attending a specialist dance school, her talent and dedication were undeniable, honed through rigorous training at the Mullen Dance Academy in Leeds. Her journey took her from local competitions to the grand stages of Paris, where she joined the Bluebell dancers, renowned for their statuesque performers.
Pharaoh's connection to the Moulin Rouge began in 1980, under the mentorship of the legendary Doris Haug, "Miss Doris," who had established the troupe's distinctive style. Initially dancing in Monte Carlo, she later transferred to Paris, rising through the ranks to become dance captain. In 1997, she assumed the mantle of artistic director, a role she held with unwavering commitment until her passing.
Her influence extended far beyond the Parisian stage. Pharaoh was a global talent scout, traversing the world in search of dancers who possessed not only technical prowess but also that elusive "sparkle." Her auditions, held in cities from Las Vegas to London, and notably, Sydney, reflected her commitment to finding the best talent, including the strong presence of Australian dancers, who have always been a staple at the Moulin Rouge. She provided constructive feedback to all who auditioned, regardless of outcome.
Former Australian Moulin Rouge principal dancer, Marissa Burgess, who held the position for an unprecedented length of time, shared her personal memories of Pharaoh, highlighting her profound impact. "I met Janet when I was 17 and started dancing in the line at Moulin Rouge, some 40 years ago. She taught me her track, and my costumes bore her name, as she transitioned to more soloist and managerial roles. She gave me big-sisterly advice and courage, always a strong promoter of my success, placing self-belief in me. We’ve been friends ever since, more recently in a more casual, private way." Burgess emphasised Pharaoh's unwavering dedication, stating, "There never was a more loyal subject to the Moulin Rouge than Janet. Her every fiber was dedicated to its cause: perpetuating the deep French cultural tradition of the music-hall, and upholding the people who made it happen – her dancers."
Pharaoh's leadership ensured the seamless execution of the Moulin Rouge's elaborate productions, featuring up to 40 dancers, thousands of costumes, and even live animals. She instilled in her dancers a rigorous work ethic, demanding precision and professionalism in every aspect of their performance, from the intricacies of the can-can to the swift handling of their elaborate costumes.
While the Moulin Rouge has long been synonymous with French glamour, Pharaoh fostered a multicultural environment, welcoming dancers from across the globe. She championed the importance of unity and camaraderie, creating a "Moulin nationality" that transcended geographical boundaries.
Her vision for the Moulin Rouge was one of escapism and joy, a celebration of dance and spectacle. She defended the show's enduring appeal, highlighting its ability to provide audiences with unadulterated entertainment.
Janet Pharaoh's legacy is one of unwavering dedication, artistic vision, and a deep love for the art of dance. She is survived by her partner, Jean-Jacques Clerico, the chief executive of Moulin Rouge, and their son, Jason. Her contributions to the Moulin Rouge and the wider dance community, particularly the Australian dance community, will be remembered and celebrated for generations to come.