News

Originally scheduled to premiere two years ago, but postponed twice because of Covid, Eireborne will finally leap onto the stage at the Palais Theatre on Friday,

It has just been announced that the newly formed United Ukrainian Ballet is to tour Australia.

Print is for keeps. See what's in the July/August/September print issue.

NAISDA celebrates

Over its 46 years of existence, NAISDA has nurtured the artistic development and careers of thousands of Aboriginal and Torres Strait Islander students.

Dance Hub SA has just received a healthy boost to its fortunes - and from an unusual funding source.

After some disappointing pandemic postponements, Scimm. Dance Company finally premiered its program, "Paracosm", to a packed theatre on July 7 at Transit Dance in Melbourne.

The ticket resale platform Viagogo has been found guilty of misconduct yet again - this time by the Italian government.

Taking on the moon

Melbourne’s Chunky Move dance company is presenting a new work, Victory Over the Moon, at its studios from July 26 to 30, in collaboration with the arts facilitator, Next Wave.

Tra Mi Dinh has been awarded the 2022 $50,000 jury prize at this year's Keir Choreographic Award, held last weekend, and Jenni Large has won the $10,000 Peoples Choice Award. Below, Rhys Ryan overviews the Melbourne finals.

Following the disappointment of having to cancel its Brisbane season due to the floods, the Australasian Dance Collective has announced new dates for its season of Three 2.0.

Dubbo Ballet Studio in NSW boasts that it is the oldest, continuously running dance school in Australia. It was founded nearly 90 years ago in 1934 by the late Joyce Schneider, a pupil of Minnie Hooper . . .

We are thrilled to announce that we are repeating our Regional Heroes feature again this year.

Choreographer and dancer Natalie Allen has teamed up with HotHouse Company to co-present a new immersive dance theatre work, IN CRIMSON, inspired by an eerie 1842 Edgar Allan Poe story.

After a hiatus in overseas acts in Australia over the past pandemic years, suddenly audiences are to be treated to not just one, but two international ballet galas – one in Sydney and one in Brisbane.

Rising needs a rethink. It needs to decide what it is. It must become something truly worthy of a Melbourne arts festival. If that is what it is.

The Qld Ballet’s Jette Parker Young Artists have only just arrived home after a whirlwind trip to London, where they performed at the Royal Opera House’s Linbury Theatre. Heidi Craig writes exclusively for 'Dance Australia'.