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John Neumeier’s Nijinsky challenges audiences in a number of ways. Being a passive recipient just doesn’t cut it here; the work demands engagement and buy-in from the viewer, writes Susan Bendell. Read more
From legacy to renewal, Sydney Eisteddfod's is taking steps to ensure fairness and excellence in dance.
A star-studded cast and 65-piece orchestra deliver "Les Misérables" in a breathtaking arena format.
Two SA-based Blak artists receive vital support to develop powerful works exploring complex histories through a feminine lens.
Cyborgian dance collides with raw sound in Chunky Move's U>N>I>T>E>D. A high-tech, mythic vision, though machine vs. body raises questions, writes Belle Beasley
From raw protest to glacial shifts, witness bodies pushed to extremes. Feel the pulse of resistance and the slow burn of change. Dare to look closer.
Raw energy meets celestial grace: Perth Festival's dance double bill stuns. Carcaça & The Wild Between the Stars ignite the stage.
This teacher is the Pathways Coordinator at the National Ballet School in St Kilda, Melbourne. She started teaching while still dancing in 2009 in the United States and moved to full time teaching in 2017.
Grant Aris, Associate Teacher at Queensland Ballet Academy, has been teaching for more than 30 years.
This teacher at Alegria Dance Studios in Sydney is also the founder of DANCEFORMATION, Specialized Contemporary Dance Program.
Dancewear for class: does it need a rethink? Karen van Ulzen asks.
Our fourth REGIONAL HERO is Parkes School of Dance, NSW, five hours drive west from Sydney.
'Tis the season for 'The Nutcracker'! Is it just a confection, or does it have hidden intentions? In this article, balletomane Richard Murphy reminds us of how this most well-known of ballets came into being.
