News

Don't miss the many MUST READ articles in the Oct/Nov/Dec 2023 issue!

Between 1954 and 1997 the Liberty Theatre in Perth had many identities and hosted a plethora of films ranging from art house to European foreign language to Chinese martial arts. But since it closed 25 years ago, it has been lying dormant.

Melbourne's Chunky Move company is calling for applications for its Choreographer in Residence position.

For her latest project, Paulina Quinteros is collaborating with two of Australia’s finest musicians – composer Elena Kats-Chernin and Japanese virtuoso TAIKO percussionist Ryuji Hamada from TAIKOZ.

This exciting competition should cement Brisbane on the contemporary dance map, writes Denise Richardson.

The prestigious Sidney Myer Creative Fellowships have been awarded to nine exceptional and courageous artists from across Australia.

This prestigious competition will be held in Wellington in New Zealand over Easter next year, April 6-10. A total prize pool of $460,000, including cash awards, international training scholarships and travel grants, is on offer.

Registrations are Now Open for DirtyFeet’s The Right Foot Workshops in Sydney, This inclusive dance workshop for people with and without disability is celebrating 10 years.

After a long wait, the Australian Ballet's "DanceX:, a festival designed to bring together the Australian dance community, will soon take to the stage.

Australia has lost an influential dance advocate, educator and multidisciplinary researcher, writes Julie Dyson.

Following a national search, the Australian Ballet has announced the 2022 and 2023 recipients of its inaugural Residency Program: Sandra Parker and Gary Lang.

Patricia Barker, Artistic Director of the Royal New Zealand Ballet, is holding an audition for the company in Sydney at the Tanya Pearson Academy studios.

SDC has named the four Australian dance makers commissioned to create works this year’s :New Breed" initiative that supports Australia’s next generation of choreographers.

The annual Ballet Teachers Workshop (BTW) has played an important part in the development of many a dancer.

This was the first time that what has historically been an annual event was able to be held in three years, and the demand for it is definitely still strong, as demonstrated by the record-breaking 226 entries this year, writes Geraldine Higginson.

Included in this year's program are two fascinating dance offerings: ; Dalisa Pigram's 'Gudirr Gudirr' and Sue Healeys 'The Long Walk'.